Heterofonías, for five contrabass clarinets, is a Deleuzean “Canto” written at the time of finishing the solo contrabass clarinet piece for Theo Nabicht. Heterofonías, or the virtue of de-synchronization, trajectories of an imagined voice affected by the forces of multiplicity that wanders around an imaginary space of resonances where a simple line becomes a muddled texture, a new sonic entity.

The work is dedicated to Theo Nabicht and the musicians of the Fünf Plus Eins Festival.