I let eighteen coincidental or inconspicuous things, that have been gathered together, fall at five different points in the room. One after the other, but in a random sequence. The fall in itself can barely be described, I observe it. The impact with the floor somehow appears to separate itself into three forms: some things remain lying in one place and position, some things bounce and jump on again, some break and smash into pieces spreading themselves. The acoustic results are diverse and never repeat themselves, too diverse for categories, but an order is created of the relationship of the eighteen things to one another, precisely as a result of the touchdown which is created anew and different after each fall. The only constant remaining is the rate