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Stefano Gervasoni

professeur de composition

  1. Archipel
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  3. Performers
    • Ensemble Vide
    • Quatuor Asasello
    • Solistes du Lemanic Moder…
    • Elèves de la Confédératio…
    • Le Motet de Genève
    • Quatuor Béla
    • Ensemble 2e2m
    • Centre de musique électro…
    • Ensemble Contrechamps
    • Eklekto
    • Ensemble Contemporain de…
    • Ensemble KNM Berlin
    • L'Orchestre de Chambre de…
    • Lemanic Modern Ensemble
    • Neue Vocalsolisten
    • Chœur Spirito
    • Frédéric Aurier
    • Arie van Beek
    • William Blank
    • Pierre Bleuse
    • Julian Boutin
    • Noémie Boutin
    • Max Bruckert
    • Anna Clementi
    • Nicole Corti
    • Luc Dedreuil
    • Arne Deforce
    • Julien Dieudegard
    • Giuseppe Frigeni
    • Laurence Garcia
    • Xavier Garcia
    • Stefano Gervasoni
    • Thomas Goepfer
    • Sylvaine Hélary
    • Michael Jarrell
    • Aya Kono
    • Rostislav Kozhevnikov
    • Philippe Maeder
    • Sam Mary
    • Romain Mayor
    • Pierre-Stéphane Meugé
    • Teemu Myöhänen
    • Sébastien Naves
    • David Poissonnier
    • Pierre Roullier
    • Elena Schwarz
    • Justyna Sliwa
    • Gabriel Valtchev
    • Hannah Weirich
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Photo Isabelle Meister © Archipel 2009
In concert
Académie de quatuors Archipel I - 03.25 11:00pmAcadémie de quatuors Archipel II - 03.25 2:00pm
Performer website
www.stefanogervasoni.net

Born in Bergamo in 1962, Stefano Gervasoni began studying composition in 1980 on the advice of Luigi Nono: this encounter, as well as others with Brian Ferneyhough, Peter Eötvös and Helmut Lachenmann, turned out to be decisive for his career. After attending the Conservatorio Giuseppe Verdi in Milan, Stefano Gervasoni studied with György Ligeti in Hungary in 1990, and then, in 1992, he attended the IRCAM Course in Composition and in Computer Music in Paris. The first three years in France launched Gervasoni's international career that eventually led him to be artist-in-residence at Villa Medici in Rome for the biennium1995-1996. With commissions from prestigious institutions such the WDR, the SWR, the Orchestra Nazionale della RAI, the Festival d'Automne in Paris, Radio France, IRCAM, the Casa da Musica in Porto, the Festival Archipel in Geneva, the Divertimento Ensemble in Milan, the Ensemble Intercontemporain, the Ensemble Modern, the Ensemble Contrechamps in Geneva, the Maerzmusik festival in Berlin, the Ars Musica Bruxelles, the Festival Musica in Strasbourg, the French Ministry of Culture, Milan Teatro alla Scala and Suntory Hall in Tokyo, Stefano Gervasoni has established himself as one of the most important Italian composers of his generation. His catalogue – which includes chamber and vocal music, concertos, works for orchestra, for ensemble and an opera (Limbus-Limbo), commissioned for the 50th anniversary of the Percussions de Strasbourg (2012) – was first published by Ricordi, from 1987, and then, from 2000,

by Suvini Zerboni. A monographic CD entitled Antiterra, which features the pieces An, Animato, Antiterra, Least Bee, Godspell, and Epicadenza, released in 2008 by Aeon, bears witness to «a sonic world of great wealth, subtlety, refinement, expressive but also organic, that immediately captures one’s attention» (Philippe Albèra). Other monographic recording collections include the Harmonia Mundi CD in the series Musique Française d'Aujourd'hui (Ensemble Contrechamps), the Stradivarius CD by Divertimento Ensemble and the CD Dir-in dir released in 2014 by Winter & Winter (Académie Charles Cros price and Diapason d'or in France). Winner of numerous prizes, including the recent Premio della Critica Musicale "Franco Abbiati" (2010), his work has allowed him to be a grant-holder at the Fondation des Treilles in Paris (1994) and at the DAAD in Berlin (2006) and composer-in-residence at the Domaine de Kerguéhennec during the period 2008-2010. He has also been invited to teach at the Darmstadt Ferienkurse, on the courses organised by the Fondation Royaumont (Paris), at Toho University in Tokyo, at the Festival International di Campos do Jordão in Brazil, at the Conservatory in Shanghai, at Columbia University (New York) and at Harvard University (Boston). He has been composer-in-residence at Lausanne Conservatoire (2005) and visiting professor at ESMUC in Barcelona for the 2012-13 academic year. Since 2006 Stefano Gervasoni has held a regular teaching post as professor of composition at the prestigious Conservatoire National Supérieur de Musique et de Danse in Paris.

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