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Archipel 2018

Electrosymphonie

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Edgar Varèse à Santa Fe, Nouveau Mexique

Electrosymphony

Varèse is the first person to have introduced concrete music to the orchestra: these 'interpolations' in 'organised sounds', as he called them, provoked an outcry. In 1954, at the Théâtre des Champs-Élysées, the Orchestre National de France, conducted by Hermann Scherchen, created Déserts. The scandal was comparable to the one created by Sacre du Printemps at the same venue forty-one years earlier. After the uproar, the press suggested the electric chair for Varèse, the 'electrosymphonist'. What made the outrage even worse was that this concert was the first to be broadcast frequency-modulated on national airwaves. The first emergence of technology in the world of classical music turned into a

fiasco. Scherchen never conducted again in Paris and Varèse left for America. However, what remains is one of the most moving works of the late 20th century, the prophetic testament of a genius who dreamed of uniting art and science and whose ideas forecast sixty years of musical research that now has a foothold in American universities, at IRCAM, and everywhere in the world where the art of composition is taught. Déserts will be played by the young musicians of the Ensemble Contemporain of the Lausanne School of Music at the end of an interpretation workshop directed by the young conductor Pierre Bleuse, who trained in Genève.

Marc Texier - director of Archipel
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