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Nathalie Preisig

RHYTMAOEP  (2017) — première suisse
Métal, plastique, texte, moteurs Arduino

  1. Archipel
  2. Read
  3. Works
    • Babel: Choeur mixte pour 1…
    • Bach: Messe en Si mineur B…
    • Beethoven: Symphonie n°7 e…
    • Bianchi: Ante Litteram
    • Bustos: Temps de Terre
    • Cavanna: Geek bagatelles
    • Chang: Cleaning the Temple
    • Collectif de compositeurs: …
    • Corner: In Intimacy – puls…
    • Donatoni: Hot
    • Fabre: Astragale Zénon l'a…
    • Fabre: Les Souliers
    • Garcia: Actuel Remix
    • Gervasoni: Capriccio ostic…
    • Giménez-Comas: Back into N…
    • Guerra: In Stanze
    • Hänni: Nouvelle oeuvre pou…
    • Heiniger: Lamento V
    • Henry: Futuristie [extrait…
    • Hiller: Illiac Suite
    • Hudry: Machina Humana
    • Jin: Immobilized Motions
    • Johnson: Tilework for Log…
    • Jung: Traumbesuch
    • Käser: Präludien Buch 1-4…
    • Lang: Metropolis
    • Lin: String Quartet with T…
    • Lucier: Opera with objects
    • Machin: Maudite soit la gu…
    • Miwa: Hitonokiesari
    • Muñoz Bravo: The Fury of N…
    • Neuburger: Etude de Synthè…
    • Neuwirth: A Film Music War…
    • Parra: Limite les rêves au…
    • Pelzel: Etüdenbuch zu Diab…
    • Posadas: Fata Morgana
    • Posadas: Hylé
    • Preisig: RHYTMAOEP
    • Querfurth: 4 Abbilder
    • Riches: Four Voices
    • Riches: Singing Machine
    • Riches: Thinking Machine
    • Rosenberger: Tempi agitati
    • Silva: Vier Miniaturen nac…
    • Söfelde: Gycklarmusik 16 (…
    • Stockhausen: Tierkreis
    • Texier: Le scandale de la…
    • Texier: Portraits anagramm…
    • Texier: Robots créateurs
    • Varèse: Déserts
    • Varèse: Intégrales
    • Verdi: Ave Maria
    • Weber: Ouverture de l'opér…
    • Xenakis: Atrées
    • Xenakis: Herma
    • Xenakis: Morsima-Amorsima
    • Xenakis: Xas
    • Yun: Harmonia
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D.R.
In concert
Analipogrammes - 03.16 6:30pm

RHYTMAOEP consists of a sound piece, especially rhythmic, and a visual installation that recreates a text. By using an object out of its purpose as an instrument. A transformation related to musical and sound objects, mixing the characteristics of concrete music and spatial poetry. Built from a metal structure and an obsolete computer keyboard, this piece comes alive thanks to the solenoid motors that move the keys. Transmitting a looped text, creating a compound rhythm through the code. Each key with its own percussive note. One after an other, following a partition. A chart made of programming language. A performance produced by the object. Where the machine

is representing the body, traversed by intensities and energy channels. Giving as a result a text composed from a certain amount of keys. 10 keys, one for each finger of the human hand. 9 Letters and the space bar, which separates the words. Considering the text as a material rather than a medium. Following the principle of spatial poetry. The intention is to create a mechanical atmosphere where the spectator has the opportunity to weave links about the functioning of the machine and the man. Between their compositions, their fears and their knowledge. Different approaches to the delegation of tasks from one to the other.

  • Festival Archipel — 8 rue de la coulouvrenière 1204 Genève — +41 22 329 42 42