Nature is in a constant state of evolution, change, destruction and rebirth. This piece evolves in the same way, in a battle between the loss of control of noisy sounds and the control of the violin's harmonic sounds. These states of stability and instability are continuously in crisis in this work and the reciprocal contamination produces a flow of distorted sounds and uncontrollable faults. Using a range of Markov's probability processes, machines contribute to this contamination of evolution by choosing their own paths while keeping a close relationship with the soloist. These sequences evolve at
different speeds, generating both polytemporality and elasticity of time. They also act on the treatment and spatialisation of sound, creating a piece of chamber and orchestra music that is in continual motion. The interaction between musician and machine is enriched through the movements of the violin bow. They become a sort of stimulant that triggers turbulence, giving rise to an uncontrollable and wild flow of magma, in contrast to the violin's traditional human role. This torrent crosses the invincible ocean of time where the various states are arranged, conflicting, dovetailing, stretching, twisting and intertwining.
