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Jin Wook Jung

Traumbesuch  (2018)  #10’ — création mondiale
pour quatuor à cordes

  1. Archipel
  2. Read
  3. Works
    • Babel: Choeur mixte pour 1…
    • Bach: Messe en Si mineur B…
    • Beethoven: Symphonie n°7 e…
    • Bianchi: Ante Litteram
    • Bustos: Temps de Terre
    • Cavanna: Geek bagatelles
    • Chang: Cleaning the Temple
    • Collectif de compositeurs: …
    • Corner: In Intimacy – puls…
    • Donatoni: Hot
    • Fabre: Astragale Zénon l'a…
    • Fabre: Les Souliers
    • Garcia: Actuel Remix
    • Gervasoni: Capriccio ostic…
    • Giménez-Comas: Back into N…
    • Guerra: In Stanze
    • Hänni: Nouvelle oeuvre pou…
    • Heiniger: Lamento V
    • Henry: Futuristie [extrait…
    • Hiller: Illiac Suite
    • Hudry: Machina Humana
    • Jin: Immobilized Motions
    • Johnson: Tilework for Log…
    • Jung: Traumbesuch
    • Käser: Präludien Buch 1-4…
    • Lang: Metropolis
    • Lin: String Quartet with T…
    • Lucier: Opera with objects
    • Machin: Maudite soit la gu…
    • Miwa: Hitonokiesari
    • Muñoz Bravo: The Fury of N…
    • Neuburger: Etude de Synthè…
    • Neuwirth: A Film Music War…
    • Parra: Limite les rêves au…
    • Pelzel: Etüdenbuch zu Diab…
    • Posadas: Fata Morgana
    • Posadas: Hylé
    • Preisig: RHYTMAOEP
    • Querfurth: 4 Abbilder
    • Riches: Four Voices
    • Riches: Singing Machine
    • Riches: Thinking Machine
    • Rosenberger: Tempi agitati
    • Silva: Vier Miniaturen nac…
    • Söfelde: Gycklarmusik 16 (…
    • Stockhausen: Tierkreis
    • Texier: Le scandale de la…
    • Texier: Portraits anagramm…
    • Texier: Robots créateurs
    • Varèse: Déserts
    • Varèse: Intégrales
    • Verdi: Ave Maria
    • Weber: Ouverture de l'opér…
    • Xenakis: Atrées
    • Xenakis: Herma
    • Xenakis: Morsima-Amorsima
    • Xenakis: Xas
    • Yun: Harmonia
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D.R.
In concert
Académie de quatuors Archipel I - 03.25 11:00pm

Dreams are mostly vague and inconsistent. Thus, in this piece, themes and stories about dreams are mixed together like a memory of a dream that can never be recalled in the correct order. In 'Dream Journey to the Peach Blossom Land', An Gyeon, a Korean painter from 400 years ago, used four different perspectives in his depiction of the heavenly land to express the bizarre quality of dreams. I composed my piece for a string quartet, with four different instruments harmonised like the colours in

an exquisite painting, in order to express the four harmonious yet very distinctive perspectives. Furthermore, I tried to expand my expression of the four perspectives through different tones, rhythms and forms instead of simply including four different instruments. Through the language of music, I attempted to express my desire to remember a mysterious dream forever and 'Dream Journey to the Peach Blossom Land', the masterpiece that was based on a dream and that reminded me of my own experiences through its background story.

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