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Festival Archip—elles 2019

Olga Kokcharova

Swiss born russian sound artist, born 1985

  1. Archipel
  2. Read
  3. Authors
    • Esther Aeschlimann-Roth
    • Zara Ali
    • Ariadna Alsina
    • Helga Arias Parra
    • Malin Bång
    • Dahae Boo
    • Geneviève Calame
    • Edith Canat de Chizy
    • Carolina Cerezo Dávila
    • Unsuk Chin
    • Ann Cleare
    • Ruth Crawford-Seeger
    • Chaya Czernowin
    • Kathrin A. Denner
    • Hanna Eimermacher
    • Adrian Fernandez Garcia
    • Béatriz Ferreyra
    • Graciane Finzi
    • Elvira Garifzyanova
    • Erin Gee
    • Sofia Goubaïdoulina
    • Matteo Gualandi
    • Salômé Guillemin-Poeuf
    • Jenny Hettne
    • Terri Hron
    • Silke Huber
    • Clara Iannotta
    • Regina Irman
    • Elisabeth Jacquet de la G…
    • Betsy Jolas
    • Olga Kokcharova
    • Polina Korobkova
    • Anna Korsun
    • Pe Lang
    • Chia-Ying Lin
    • Jessie Marino
    • Barblina Meierhans
    • Misato Mochizuki
    • Meredith Monk
    • Isabel Mundry
    • Javier Muñoz Bravo
    • Aki Nakamura
    • Sarah Nemtsov
    • Farangis Nurulla-Khoja
    • Isandro Ojeda-García
    • Pauline Oliveros
    • Xavier Palá i Nossas
    • Marianthi Papalexandri-Al…
    • Eva Reiter
    • Jeannine Richer
    • Shiri Riseman
    • Fausto Romitelli
    • Elena Rykova
    • Kaija Saariaho
    • Valentin Schaff
    • Julie Semoroz
    • Bettina Skrzypczak
    • Ella Soto
    • Barbara Strozzi
    • Ouli Tarkiainen
    • Clemens K. Thomas
    • Leilei Tian
    • Galina Ustvolskaïa
    • Jennifer Walshe
    • Yiqing Zhu
  4.   
  5. <
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D.R.
In concert
Compound - 04.05 8pm
Played works
The Ebbinghaus curve of forgetting
Author website
kokcharova.zov308.org

Olga Kokcharova is a sound artist, musician and visual artist based in Geneva. Born in Siberia, she immigrated to Switzerland at the age of 16. Her small childhood town, built around centers of scientific research in the taiga, is a perfect image to illustrate her artistic intention. Within her projects, precision and complex intellectual challenges (as in her compositions based on linguistic concepts) mingle with sensitivity and intuition. In 1993, she began studying piano and voice. Since 2005, she has been involved in experimental music and

visual arts. Her sound installations and performances, often designed for the public space, are specific to the place. And even within her practice of improvisation, the context influences her instrumental choices: piano, piano frame, cinema organ, computer, analog synthesizer, sewing machine... In her electroacoustic compositions, she favors a meticulous sound recording where most of the work is done at the time of registration. Captured very closely, as in a microscope, these sounds form compositions that accentuate their poetic strength and the astonishment that emanates from them.

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