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In this piece I work with sound transformations. The sounds are differentiated by their noise content, their percussive effects, their dynamics and their colors. They change gradually. In terms of large-scale form, the music becomes ever denser and reaches a climax, only to become empty again, creating in the process rising and falling curves of tension. The role of the real-time sound processing is to color the sound of the live flute, which also serves to bind it to the sounds of pre-composed sound files. These sound files are thought of to a certain extent as orchestral, in as much as they present polyphonic and multi-timbric structures alongside the live flute line. The electronic part of the live flute is tightly bound to the musical material.
