• DISCOVER
  • Home
  • Program
  • Theme
  • Calendar
  • Statistics
  • Festival's pictures
  • SEE
  • Authors
  • Works
  • Performers
  • Videos
  • COME
  • Online purchase
  • Prices and point of sale
  • Venues
  • Archipel Academy
  • SUPPORT
  • Partners
  • Team
  • Association
  • Thanks
  • REMEMBER
  • Historical
  • Archives
  • TALK ABOUT
  • Press review
  • Newsletter subscription
  • Professional work place
Festival Archip—elles 2019

Jenny Hettne

Bells and Tides  (2016)
pour violoncelle et percussion

  1. Archipel
  2. Read
  3. Works
    • Aeschlimann-Roth: Eile mit…
    • Ali: Focus No.3
    • Alsina: Les rêves circulai…
    • Arias Parra: Présentation…
    • Bång: Arching
    • Bång: Split Rudder
    • Boo: Pentamerone
    • Calame: Swing
    • Canat de Chizy: L'Invisibl…
    • Canat de Chizy: Paradiso
    • Canat de Chizy: Véga
    • Cerezo Dávila: What are ma…
    • Chin: Graffiti
    • Cleare: fiáin
    • Crawford-Seeger: String Qu…
    • Czernowin: Ayre: Towed thr…
    • Denner: engrave III & V
    • Eimermacher: Hommage an de…
    • Fernandez Garcia: Présenta…
    • Ferreyra: Les Larmes de l'…
    • Finzi: Bruyères à l’automn…
    • Finzi: L'Ange d'acier
    • Garifzyanova: Aurora Borea…
    • Gee: Mouthpiece I
    • Gee: Mouthpiece X
    • Goubaïdoulina: Musikalisch…
    • Goubaïdoulina: Quatuor
    • Goubaïdoulina: Sonate
    • Gualandi: Still love songs
    • Guillemin-Poeuf: Présentat…
    • Hettne: Bells and Tides
    • Hron: Beast Calls: Susi Sp…
    • Huber: Miniaturen
    • Iannotta: Limun
    • Irman: Zahlen
    • Jacquet de la Guerre: Prél…
    • Jacquet de la Guerre: Prél…
    • Jolas: De Nuit, deux chant…
    • Jolas: Une Journée de Gada…
    • Kokcharova: The Ebbinghaus…
    • Korobkova: «biy»: mantra f…
    • Korsun: Plexus
    • Lang: moving objects | nº…
    • Lin: Isolarion
    • Marino: Rot Blau
    • Meierhans: Pixel
    • Mochizuki: La Chambre clai…
    • Monk: Stringsongs
    • Mundry: Eure Augen
    • Mundry: Textile Nacht
    • Muñoz Bravo: Présentation…
    • Nakamura: Derniers Soleils
    • Nemtsov: Lobgesang
    • Nurulla-Khoja: Se...
    • Ojeda-García: Présentation…
    • Oliveros: Four Meditations
    • Palá i Nossas: Romance for…
    • Papalexandri-Alexandri: mo…
    • Papalexandri-Alexandri: So…
    • Reiter: Alle Verbindungen…
    • Reiter: Irrlicht
    • Richer: Sonorité
    • Riseman: Shliglugim
    • Romitelli: Seascape
    • Rykova: You exist, I am an…
    • Saariaho: Ciel étoilé
    • Saariaho: Graal théâtre
    • Saariaho: Nymphea
    • Saariaho: Serenata
    • Saariaho: Trois rivières
    • Schaff: I want to eat his…
    • Semoroz: We Need Space
    • Skrzypczak: Vier Figuren
    • Soto: DJ Set
    • Strozzi: Che si può fare?
    • Strozzi: Lagrimae mie
    • Tarkiainen: …ja alkivat la…
    • Thomas: Die vierbeinige Kr…
    • Tian: Never-ending Journey
    • Ustvolskaïa: Sonate n°1
    • Walshe: This is why people…
    • Zhu: The vanishing chant
  4.   
  5. <
  6.  
  7. >
© Ann Persson
In concert
Salon de musique - 03.31 2:30pm
Vidéo

Bells and Tides

When UmeDuo commissioned Bells and Tides they asked for a piece freely inspired by music from another culture. I choose Carnatic music of southern India, with the most concrete inspiration source being the characteristic percussion instrument Ghatam. The pitch of the Ghatam used by UmeDuo, a quarter tone low F, became the fundament of the piece. Around the sound of the Ghatam I wanted to build an undulating, inharmonic sound world, expanding and contracting – Tides. In the cello; glissandi, natural harmonics and prepared strings creating gong-like sounds, in percussion; Japanese singing bowls, gongs and saucer bells. The second part focuses on hands and fingers on the Indian hand drum Dholak, frame drum and Ghatam and quiet percussive sounds on the cello.

  • Festival Archipel — 8 rue de la coulouvrenière 1204 Genève — +41 22 329 42 42