Each of the Four Meditations for Orchestra has been performed in versions for voices or smaller instrumental ensembles. There is no conventional notation used. The score consists of recipe-like instructions which are the same for each player. Each performer is responsible for their own part within the guide- lines given. Since there is no written part to watch, all the performers' attention can be given to sound and invention. The
shape of each meditation emerges from the nature of the score guidelines and the dynamic interplay of the orchestra members. There is no melody, no harmony and no metrical rhythm. The direction is sound-oriented. Each meditation has a specific focus. From Unknown Silences is continuous variation on sounds. Each sound that each player makes is intended to be unique — different from all other sounds in the meditation.
Pauline Oliveros
© Copyright 1996 Deep Listening Publications – ASCAP
