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This piece is an essay to ask about form, picture and sound in a most general way. The idea was to reduce the compositional method on cutting and/or holding, let's say to work as in early electronic compositions (magnetic tape) only with horizontal extensions and limitations of textures, situations and fragments. No narrative, melodic or figurative continuation in focus, neither sound manipulation nor noise stretching. In these circumstances, at which point do we recognize and perceive form? And how starts in a composition a formal process? Is it possible to think form as a content, and the act of composing as a compositional material itself? The result of asking such questions got to the starting point of this study and led me at the same time to a more basic question: where and when does a composition
